The Phantom of the Opera Sample Essay

The Phantom of the Opera is a musical by Andrew Lloyd Webber. based on the Gallic novel Le Fantome de l’Opera by Gaston Leroux. It is considered by many to be the most successful musical of all clip and is besides the longest running show in Broadway history. The music is composed by Lloyd Webber. with wordss by Charles Hart. Additional wordss are by Richard Stilgoe. The book was written by Lloyd Webber and Stilgoe. The cardinal secret plan revolves around a beautiful soprano. Christine Daae . who becomes the compulsion of a cryptic. disfigured musical mastermind. The Phantom of the Opera opened in the West End in 1986. and on Broadway in 1988.

It won the 1986 Olivier Award and the 1988 Tony Award for Best Musical. and Michael Crawford ( in the title function ) won the 1986 Olivier and 1988 Tony for Best Performance by an Actor in a Musical. It is thelongest-running Broadway show by a broad border ( observing its 10. 000th public presentation on Broadway on 11 February 2012 ) . the 2nd longest-running West End musical. and the 3rd longest-running West End show overall. With entire worldwide box office grosss of over $ 5. 1 billion ( ?3. 5 billion ) . including a record-setting Broadway gross of US $ 845 million. Phantomis the highest-grossing amusement event of all clip and the most financially successful theatrical show in history. It had been seen by over 130 million people in 145 metropoliss in 27 states by 2011.

The Phantom of the Opera ( Gallic: Le Fantome de l’Opera ) is a fresh by Gallic author Gaston Leroux. It was foremost published as a serialization inLe Gaulois from September 23. 1909 to January 8. 1910. Initially. the narrative sold really ill upon publication in book signifier and was even out of printseveral times during the 20th century ; it is overshadowed by the success of its assorted movie and phase versions. The most noteworthy of these were the 1925 movie word picture. and Andrew Lloyd Webber’s 1986 musical.

Plot

Gaston Leroux claims that Erik. the “Phantom of the Opera” . was a existent individual. We are so introduced to Christine Daae who with her male parent. a celebrated violinist. traveled all over Europe playing common people and spiritual music. When Christine is six. her female parent dies and her male parent is brought to rural France by a frequenter. Professor Valerius. During Christine’s childhood. her male parent tells her many narratives having an “Angel of Music” . who is the personification of musical inspiration. Christine meets and befriends the immature Raoul. Viscount of Chagny. One of Christine and Raoul’s favorite narratives is one of Little Lotte. a miss who is visited by the Angel of Music and possesses a celestial voice. Christine now lives with ‘Mamma’ Valerius. the aged widow of her father’s helper. Christine is finally given a place in the chorus at the Paris Opera House ( Palais Garnier ) . She begins hearing a beautiful. spiritual voice which sings to her and speaks to her. She believes this must be the Angel of Music and asks him if he is.

The Voice agrees and offers to learn her “a small spot of heaven’s music” . The Voice. nevertheless. belongs to Erik. a physically deformed and mentally disturbed musical mastermind who was one of the designers who took portion in the building of the opera. He is in love with Christine. He has besides been extorting money from the Opera’s direction for many old ages. and is besides called the “Opera Ghost” by the inhabitants of the Opera. Christine victory at the jamboree on the dark of the old managers’ retirement ( the Opera’s prima-donna. Carlotta. is sick ) . Her old childhood friend Raoul hears her and retrieve his love for her. He so hears “the Angel” speech production to Christine. A clip after the jamboree. the Paris Opera performs Faust. with the Prima donna Carlotta playing the lead. against Erik’s wants. In response to a refused resignation of Box Five to the Opera Ghost. Carlotta loses her voice and the expansive chandelier plumb bobs into the audience. After the chandelier accident. Erik kidnaps Christine to his place in the basements and uncover his true individuality.

He plans to maintain her there merely a few yearss. trusting she will come to love him. and Christine begins to happen herself attracted to her kidnapper. But she causes Erik to alter his programs when she unmasks him and. to the horror of both. lay eyes on his face. which harmonizing to the book. resembles the face of a decomposition cadaver. Erik goes into a craze. saying she likely thinks his face is another mask. and whilst delving her fingers in to demo it was truly his face he shouts. “I am Don Juan Triumphant! ” before creeping off. shouting. Fearing that she will go forth him. he decides to maintain her with him everlastingly. but when Christine requests release after two hebdomads. he agrees on status that she wear his ring and be faithful to him. Up on the roof of the opera house. Christine tells Raoul of Erik taking her to the basements. Raoul promises to take Christine off where Erik can ne’er happen her and to take her even if she resists. Raoul tells Christine he shall move on his promise the undermentioned twenty-four hours. to which Christine agrees. but she pities Erik and will non travel until she has sung for him one last clip. Christine so realizes the ring has slipped off her finger and fallen into the streets someplace. and begins to panic.

The two leave. But neither is cognizant that Erik has been listening to their conversation or that it has driven him to covetous craze. During the hebdomad and that dark. Erik had been terrorising anyone who stood in his manner or in that of Christine’s calling. including the directors. The undermentioned dark. Erik kidnaps Christine during a production of Faust ( by dosing the gas work forces and exchanging the visible radiations off. he spirits Christine off the phase before anyone turned the visible radiations on ) . Back in the basements. Erik tries to coerce Christine into matrimony. If she refuses he threatens to destruct the full opera house utilizing explosives he has planted in the basements. killing them and everyone in the floors above. Christine continues to decline. until she realizes that Raoul and an old familiarity of Erik’s known merely as “The Persian” . in an effort to deliver her. have been trapped in Erik’s hot anguish chamber. To salvage them and the people above. Christine agrees to get married Erik. At first. Erik tries to submerge Raoul and the Persian in the H2O used to put out the explosives. saying that Christine doesn’t demand another.

But Christine begs and offers to be his “living bride” . assuring him non to kill herself after going his bride. as she had both contemplated and attempted earlier in the novel. Erik rescues the Iranian and the immature Raoul from his anguish chamber thenceforth. When Erik is entirely with Christine. he lifts his mask a small to snog her on the brow. and Christine allows him to make this. Erik. who admits that he has ne’er earlier in his life received or been allowed to give a buss – non even from his ain female parent – is overcome with emotion. Christine gives him a buss back. He lets Christine travel and state her “Go and get married the male child whenever you wish. ” explicating. “I know you love him” . She leaves on the status that when he dies she will come back and bury him. Bing an old familiarity. The Irani is told of all these secrets by Erik himself. and upon his express petition. the Iranian advertises Erik’s decease in the newspaper about three hebdomads subsequently. The cause of decease is revealed to be a broken bosom. and as promised. Christine returns to bury Erik and give his pealing back to him.

Fictional characters
* Erik: The “Phantom” and “Opera-Ghost” .
* Christine Daae : A immature Swedish soprano.
* Raoul. Vicomte de Chagny: Christine’s childhood friend and love involvement. * The Irani: A cryptic adult male from Erik’s yesteryear.
* Comte Philippe de Chagny: Raoul’s elder brother.
* Armand Moncharmin and Firmin Richard: The directors of the opera house. * Madame Giry: The leery caretaker for Box Five.
* Meg Giry: Madame Giry’s merely daughter. a concert dance miss. Later becomes Mme. La Baronne de Castelot-Barbezac. * Debienne and Poligny: The old directors of the opera house. * Joseph Buquet: The main scene-shifter.





* Little Jammes: A friend of Meg and besides a concert dance miss.
* La Carlotta: A spoilt Prima donna ; the lead soprano of the Paris opera house.
* Mercier: The acting-manager.
* Gabriel: The superstitious chorus-master.
* Mifroid: The commissary of constabulary called in for Christine’s disappearing. * Remy: The manager’s secretary.
* The inspector: An inspector hired to look into the unusual personal businesss in Box Five. * Shah and the grand Turk: The two male monarchs that tried to kill Erik after he made them a castle. * La Sorelli: the lead danseuse and adult female with whom Comte de Chagny spent clip. Besides labelled Annie Sorelli. though this is questionable.




“When You Say Nothing At All”

It’s astonishing how you
Can talk right to my bosom.
Without stating a word
You can illume up the dark.


Try as I may. I could ne’er explicate
What I hear when you don’t state a thing.

[ Chorus: ]
The smiling on your face
Lashkar-e-taibas me know that you need me.
There’s a truth in your eyes
Stating you’ll ne’er leave me.
The touch of your manus says you’ll catch me wherever I fall. The touch of your manus says you’ll catch me whenever I fall. You say it best when you say nil at all.




All twenty-four hours long I can hear
Peoples speaking out loud ( oooh ) .
But when you hold me near ( you hold me near )
You drown out the crowd ( the crowd. the crowd ) .


Try as they may. they can ne’er specify
What’s been said between your bosom and mine.

[ Chorus: ]
The smiling on your face
Lashkar-e-taibas me know that you need me.
There’s a truth in your eyes
Stating you’ll ne’er leave me.
The touch of your manus says you’ll catch me wherever I fall. The touch of your manus says you’ll catch me whenever I fall. You say it best ( you say it best ) when you say nil at all. ‘Cause you say it best ( you say it best ) when you say nil at all.




[ Chorus: ]
The smiling on your face
Lashkar-e-taibas me know that you need me.
There’s a truth in your eyes
Stating you’ll ne’er leave me.
The touch of your manus says you’ll catch me wherever I fall. The touch of your manus says you’ll catch me whenever I fall. You say it best ( you say it
best ) when you say nil at all. Cause you say it best ( you say it best ) when you say nil at all.





( You say it best when you say nil at all.
You say it best when you say nil at all. )

That smiling on your face.
The truth in your eyes.
The expression in your eyes.
The touch of your manus
Lashkar-e-taibas me know that you need me.



( You say it best when you say nil at all.
You say it best when you say nil at all. )

The expression in your eyes.
The touch of your manus
Lashkar-e-taibas me know that you need me.